| Re: Canon 1D Mark III- Full Review I think I found it on P.147 of a downloaded PDF manual, of which I can enlarge the text as much as i want (I have 1n Apple 30" mnonitor).
For normal shooting, not fast, predictable action movement, these settings would seem just an extra annoyance.
Fot me, there is almost always enough time for the camera to follow-focus at its own rate. And I sometimes just move the camera away from and back to a subject point, just to be sure the focus locked.
But focusing is a thing of the lenses, too. And each one does it at its own speed.
I can see why, for the action shots mentioned here, nothing but the fastest, most expensive, top-of-the-line Canon lenses will do.
While I own such lenses, some el-cheapo zooms with small size and extreme focal length ranges are fun and will do well, if one can take time with them.
But ultimately, I am not comfortable for anything really important with any lens aperture smaller than f2.8 mated to these auto-focus devices. And even larger apertures (F2 and larger) do make a difference when pinpointing an exact point (distance from the camera) on a subject.
The smaller apertures, while they work mechanically, leave some leeway in finding the focal point. And having used a Messraster so many years, I am used to being right on the focal point. For example, right on the pupil of the nearest eye, and not just anywhere on the eye. It does make a difference, especially when one can see the actual prints, not internet JPEGs.
And, of course, color tones are only exact at the focal point (at the absolutely exactly focused distance from the camera). You can see that easily by the following: when you take a camera that is on manual-focus setting and focus back and forth over an imge point, the further in front or in back of the image you focus, the lighter and more diffuse the image becomes. So anywhere in front or in back of the absolute focused distance is always slightly lighter and more diffuse. And so are the color tones. And it all just gets worse the farther one gets from the focal point, depth of field or not.
Mark |