| Re: regarding the D1 and the D1H... I personally haven't been impressed with GF, and all the other up-sampling techniques I've seen. They don't seem to do much better than vanilla bicubic upsampling in most cases. Lack of detail in the original (somewhat obviously) can't be reconstructed with snazzy upsampling methods. I could believe it if someone claimed a particular method handled edges (high-contrast areas) better, but the "little things" will still not be present.
Really, there are two variables in the relationship I'm pondering: the size of the sensor, and the number of pixels in that sensor. Each can be independent of the other, but I'm interested in the how they interact. E.g., if you increase the sensor size, but keep the number of pixels constant, how does that compare to the case with the original sensor size but more pixels. It's not a clearcut "it's always better to have X" answer because of things like distortion/aberations present in lenses, etc.
Getting to the example above, assuming 13x19 print size at 240 dpi, you're basically upsampling about 500% (~14M div ~2.7M), right? Does it really improve the print to upsample ahead of time? Fine details (hair, eyes of a small subject, texture in surroundings) are still not tack sharp, so how do they look in a non-upsampled print compared to an upsampled print?
I personally haven't used a D1* yet, hence the line of questioning, but I have a hard time believing some of the claims I was hearing. Hearing more people discuss it (here) has been helpful in the sense that I've increased the number of opinion data-points I have. Thanks for you contribution. White Balance so easy, even our 5 year old can do it.- Melissa Strickland |